Tag Archives: Chicago

Day 225: Chicago – Chicago II

11 Oct

25 or 6 to 4

Oh, a double record.  Dad, you shouldn’t have.  Really.  You shouldn’t have.  I almost pulled out the Swole Ear Constitution on this one, but then I thought back to Wilco Week, where I willingly (w)listened to tWo double-whammies.  My only option is to stop whining and tough it out.  It’s also important to keep in mind that Chicago II was released in the wonderful era of shorter records.  All in all, the album’s time of an hour and four minutes isn’t too bad, and is even considerably shorter than other (single) records that I’ve covered.

In addition, it helps just a bit that Chicago II is actually a solid piece (pieces?) of music.  I know, I’m probably not supposed to like this album.  It’s old and it’s kind of jazz-filled.  Part of Fancy Colors sounds like it was ripped from an episode of Sesame Street, with its spastic flute action.  Maybe it’s got something to do with the (very late) time of day (night (early morning, actually)) that I’m listening to this.  Maybe I just don’t care any more and like everything.  I sure hope that is (not) the case.  (Parenthese(s)).

What the hell? I just got to 25 or 6 to 4, the album’s eighth track, and heard an all-too familiar guitar riff.  Chicago must have acquired a time machine and traveled to the early nineties, just to steal Green Day’s riff from Brain Stew for the first 15 seconds of this mid-record track.  Understandable.  It is extra catchy.

Well, I can’t possibly recommend this band now. They plagiarize. If high school has taught me one thing, it’s that plagiarism should earn you nothing less than life in prison.

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Day 104: Wilco – Kicking Television: Live in Chicago

12 Jun

Misunderstood

Live rock albums are tough to pull off.   Rock concerts are such unique experiences; recreating them in the album format is impossible.  Bands always try, though, probably because they know people will buy anything.  That’s not to say that live recordings can’t be enjoyable—they just can’t replace great rock shows.

Kicking Television was recorded over the course of four back-to-back Wilco shows at The Vic Theater in Chicago.  Having seen multiple shows at The Vic, I understand why Wilco would want to play there four days in a row.  It’s a great, historic Chicago venue, but more importantly, it’s fairly intimate—at least compared to the much larger venues that Wilco usually fills.

As far as live records go, Kicking Television isn’t anything special.  It does give me a reason to listen to some of my favorite Wilco tracks (Via Chicago from Summerteeth and Heavy Metal Drummer from Yankee Hotel Foxtrot) that I haven’t gotten to listen to this Wilco Week, but, as expected, this record doesn’t come close to beating an actual concert for me.  And if that’s the case, there isn’t too much of a reason to listen to it, is there?  Might as well just listen to the higher quality recordings found on the studio albums.

And yet, that’s not how I actually feel.  I know, it’s illogical, but there’s just something about live recordings.  They’re fun to listen to every now and then.  They serve as a memento to what I’m sure was an awesome experience for the couple of thousand who actually witnessed these live shows, and while they don’t recreate the experience, it lets me hear how fun these concerts must have been.  It’s been too long since I’ve been to a show.